
Beware. This article contains spoilers. Let’s start with a self-evident affirmation. Movies, or more precisely Hollywood, is the ultimate contraption of hegemonic ideological diffusion. The prophetic dystopias in which secret police would place the mechanisms of control inside the private realm of people, fall way short of the intrusive violence of today’s reality. Now we pay for movie tickets and plasma TVs to get the prescribed indoctrination. Through creating the very seed of popular culture, the United States has produced a colossal apparatus of historical cleansing, a form of re-writing of their long dark shadow over the world. John Ford’s The Man who Shot Liberty Valance is a beautifully crafted example of establishing mythical origins that function as the basis of reality. Today’s ...
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